![]() ![]() Indeed, the overwhelming popularity of such performers reflected a growing societal acceptance of deviance from traditional Brazilian constructions gender and sexuality. Singers such as Caetano Veloso and Ney Matogrosso presented themselves as androgynous, gender-bending performers and raised important questions in society about gender roles and identities. As traditional insistence of premarital virginity and normative heterosexuality became regarded as antiquated and repressive, Brazil’s biggest stars projected unabashed sexuality and were rumored to have homosexual affairs. Among the counterculture’s many challenges to societal norms was the destabilization of sexual codes and gender norms. The standard deviation for this album is 9.1.By late 1960s and early 1970s, international countercultural ideas held significant sway over Brazil’s urban middle-class youth. This album has a Bayesian average rating of 80.3/100, a mean average of 83.5/100, and a trimmed mean (excluding outliers) of 83.5/100. This album is rated in the top 2% of all albums on. ![]() ![]() (*In practice, some albums can have several thousand ratings) The second average might be more trusted because there is more consensus around a particular rating (a lower deviation). However, ratings of 55, 50 & 45 could also result in the same average. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. This figure is provided as the trimmed mean. Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. You can include this album in your own chart from the My Charts page! Bicho collection Total Charts: The total number of charts that this album has appeared in. ![]() Latest 20 charts that this album appears in: Sort ranks ![]()
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